Review: Amazing Spider-Man #27 (@Marvel 4/22/26): Writer Joe Kelly and a small army of artists bring the Death Spiral crossover to an end when Spidey battles the Carnage personality invading his mind, but Venom is the one who makes a fateful decision.

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Review: Amazing Spider-Man #26 (@Marvel, 4/8/26): Writer Joe Kelly and artist Francesco Manna escalate the Death Spiral event as Peter Parker battles a horrific merger of Torment and Carnage.

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Review: Amazing Spider-Man #25 (@Marvel, 3/25/26): Smothers Peter Parker, Mary Jane Watson, and Eddie Brock in a formulaic “Death Spiral” serial-killer arc where Torment and Carnage grind through family-adjacent victims while the actual leads mostly react.

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Review: Amazing Spider-Man #24 (@Marvel, 3/18/26): Escalates the “Death Spiral” crossover as Torment hunts Eddie Brock in a grim, trauma-fueled lore dump.

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Review: Amazing Spider-Man #23 (@Marvel, 3/4/26): Pits Peter Parker against Mary Jane’s Venom in a kinetic serial killer thriller, as Carnage’s knowledge of Spider-Man’s identity turns every family tie into a target in a murder‑mystery chase.

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Review: Amazing Spider-Man #22 (@Marvel, 2/18/26): Delivers Peter’s return from space as a disjointed homecoming check-in mode, triggered by his landing amid displaced life pieces from Ben Reilly’s impostor stint.

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Review: Amazing Spider-Man #21, by @Marvel on 2/4/26, is an energetic Norman Osborn action vehicle wrapped in a Goblin family crisis that looks great in motion and falls apart the second you start asking basic questions.

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Review: Amazing Spider-Man #20, by @Marvel on 1/21/26, finds Norman Osborn facing an extinction-level event when every goblin victim he’s ever wronged comes to collect on centuries-worth of debts.

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Review: In Amazing Spider-Man #19, by @Marvel on 1/7/26. Peter Parker’s journey home from space becomes a high-stakes power play where emotions run deeper than plot logistics, and the real threat isn’t what you see coming.

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Review: Amazing Spider-Man #18, by @Marvel on 12/24/25, asks you to care about Norman Osborn’s existential crisis while the actual plot shuffles between a corporate mycology experiment and a surprise therapist-turned-villain reveal with all the momentum of a shopping mall escalator.

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Review: Amazing Spider-Man #17, by @Marvel on 12/10/25, reads like someone asked “What if Peter Parker got accidentally swapped with Star-Lord in the Marvel database?” and Joe Kelly said, “Don’t mind if I do.”

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Review: Amazing Spider-Man #16, by @Marvel on 11/19/25, plunks readers straight into a web of regret, tough love, and villainous pain management.

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Review: Amazing Spider-Man #15, by @Marvel on 11/5/25, pits your wallet and patience against cosmic wrestling, a sentient suit, and dialogue flimsier than Spidey’s web-shooters after a hailstorm.

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Review: Amazing Spider-Man #14, by @Marvel on 10/15/25, is all about masks, secrets, and barely-disguised chaos. Ben Reilly is pretending to be Peter Parker, Norman Osborn is pretending to be Spider-Man, and by the end, Roderick Kingsley (aka Hobgoblin) makes a very on-brand, late-game entrance to stir up trouble.

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Review: Amazing Spider-Man #13, by @Marvel on 10/1/25, sends Peter Parker and a ragtag crew hurtling through galactic suburbia on a desperate quest for justice and survival.

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Review: Amazing Spider-Man #12, by @Marvel on 9/17/25, sees Ben Reilly pretending to be Peter Parker, while Norman Osborn acts as a new Spider-Man to protect his secret.

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Review: Amazing Spider-Man #11, by @Marvel on 9/3/25, opens with Peter Parker and Spider-Man returning after being missing for weeks, but something is off because nobody is who they say they are.

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Review: Amazing Spider-Man #10, by @Marvel on 8/20/25, finds Spidey returning after a weeks-long disappearance following a brutal defeat by Hellgate, but his interactions with criminals are now sending them to the I.C.U.

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