Review: Marvel Knights: The World to Come #5, by @Marvel on 12/31/25, presents a densely layered political thriller that mistakes narrative complexity for narrative coherence, and dazzles the eye while bewildering the brain.
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Review: X-Men: Age of Revelation Finale #1, by @Marvel on 12/31/25, dares to ask the unthinkable question: what if the hero actually loses? The answer is a finale where the only victory available is understanding exactly how catastrophically things fell apart.
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Review: Sorcerer Supreme #1, by @Marvel on 12/31/25, wastes no time establishing Wanda Maximoff’s new title. But does a sharp aesthetic and snappy banter distract from an issue that feels more like a prologue than a story?
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Review: The Ultimates #19, by @Marvel on 12/31/25, trades rocket-fueled chaos for a soap opera detour into Wasp’s messy marriage, leaving you wondering if the revolution got put on hold for family therapy.
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Review: Ultimate Endgame #1, by @Marvel, on 12/31/25, promises explosive consequences for The Maker’s long-anticipated return, but what emerges from the Dome is more confusing than game-changing.
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Review: 1776 #2, by @Marvel on 12/24/25, sends the Avengers into a philosophical history seminar where the real enemy turns out to be tedium dressed up in Revolutionary War costumes.
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Review: The Will of Doom #1, by @Marvel on 12/24/25, tries to answer the question of what happens after a supervillain dies. It turns out the answer is a lot of legal paperwork and a very expensive price tag for a story that feels like it has not quite started yet.
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Review: Amazing Spider-Man #18, by @Marvel on 12/24/25, asks you to care about Norman Osborn’s existential crisis while the actual plot shuffles between a corporate mycology experiment and a surprise therapist-turned-villain reveal with all the momentum of a shopping mall escalator.
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Review: Planet She-Hulk #2, by @Marvel on 12/17/25, trades the kinetic energy of its predecessor for extended political posturing and verbal sparring that tests even Jennifer’s patience.
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Review: Black Panther: Intergalactic #1, by @Marvel on 12/17/25, drops T’Challa in the literal middle of nowhere with zero answers and a mystery that somehow manages to be both epic and claustrophobic at the same time.
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Review: Daredevil/Punisher: The Devil’s Trigger #2, by @Marvel on 12/17/25, picks up after the Punisher walks free with a bullet wound, and Matt must choose between cleaning up the criminal power vacuum or hunting Castle himself.
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Review: The End 2099 #1, by @Marvel on 12/10/25, opens with a cosmic threat so enormous, so galaxy-threatening, that the entire premise hinges on whether Steve Orlando can make you actually care about this particular apocalypse before the credits roll.
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Review: Amazing Spider-Man #17, by @Marvel on 12/10/25, reads like someone asked “What if Peter Parker got accidentally swapped with Star-Lord in the Marvel database?” and Joe Kelly said, “Don’t mind if I do.”
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Review: Ultimate Spider-Man #23, by @Marvel on 12/10/25, arrives with a spectacular heist-turned-ambush that proves beautiful action sequences cannot mask the wreckage of poor long-term planning and editorial dysfunction.
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Review: Hulk: Smash Everything #1, by @Marvel on 12/3/25, immediately throws readers into a high-stakes supernatural conflict with all the finesse of a rampaging green monster breaking through a flimsy, cracked window.
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Review: Doctor Strange #1, by @Marvel on 12/3/25, finds the Sorcerer Supreme of Asgard making a house call where a dead wizard in a coffin becomes a very expensive problem for light elves, angels, and anyone who likes children alive.
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Review: Ultimate Universe: Two Years In, by @Marvel on 12/3/25, is a one-shot that promises cosmic scope and temporal urgency as the universe prepares for the Maker’s return, yet delivers a disjointed “anthology” that squanders both.
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